Presented by The Porch Writers' Collective

Writers as Readers: The Haunting of Hill House by Shirley Jackson with Lacey N. Dunham

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About This Class

Perfect for spooky season, join us for a discussion of Shirley Jackson’s classic haunted house novel, The Haunting of Hill House, where you'll think about the novel as both a reader AND a writer.

Through robust conversation, we’ll discuss the novel’s themes, characters, and setting, and explore how Jackson establishes dread and suspense before diving into the supernatural. We’ll pay close attention to the novel's extremely famous opening lines and how haunt the novel’s pages through to the very end. Finally, we'll look at how the novel, and horror writing more generally, activates the reader's emotions on a craft level, through the concepts of terror, horror, the uncanny, and — in the best writing of the genre — the use of humor for comic relief. You’ll have a chance to play with craft during a writing exercise. Whether you’re a Halloween buff, a fan of psychological horror, or a lover of gothic tales, Jackson’s book delivers compelling characters and genuine frights.

Please have the novel (approx. 200 pages) read in its entirety prior to the class. Instructor will be reading from the Penguin Classics paperback edition with an introduction by Laura Miller, but you’re welcome to read any edition of the book. Purchase the book here via the Porch's Bookshop page and 10% of proceeds go towards the Porch and support local bookstores.

  • In-Class Writing Lift: Light
  • Homework: None
  • Workshopping Drafts: None

 

About This Class

Perfect for spooky season, join us for a discussion of Shirley Jackson’s classic haunted house novel, The Haunting of Hill House, where you'll think about the novel as both a reader AND a writer.

Through robust conversation, we’ll discuss the novel’s themes, characters, and setting, and explore how Jackson establishes dread and suspense before diving into the supernatural. We’ll pay close attention to the novel's extremely famous opening lines and how haunt the novel’s pages through to the very end. Finally, we'll look at how the novel, and horror writing more generally, activates the reader's emotions on a craft level, through the concepts of terror, horror, the uncanny, and — in the best writing of the genre — the use of humor for comic relief. You’ll have a chance to play with craft during a writing exercise. Whether you’re a Halloween buff, a fan of psychological horror, or a lover of gothic tales, Jackson’s book delivers compelling characters and genuine frights.

Please have the novel (approx. 200 pages) read in its entirety prior to the class. Instructor will be reading from the Penguin Classics paperback edition with an introduction by Laura Miller, but you’re welcome to read any edition of the book. Purchase the book here via the Porch's Bookshop page and 10% of proceeds go towards the Porch and support local bookstores.

  • In-Class Writing Lift: Light
  • Homework: None
  • Workshopping Drafts: None